Television StudiesTelevision Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course. |
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... The CCCS intervention The active audience Early fan studies The attack on active audience theory Television talk The audience in the machine Global and diasporic audiences The ritual uses of television What now and what next?
... Netflix delivered more minutes of video each week to American audiences than all the channels owned by CBS, Time Warner, and Viacom.1 And in recent years, Netflix has endeavored to become a new kind of global television service.
... scholars are now turning their attention to global television and media, exploring parts of the globe that have been absent from ... therefore, we will be keen to examine ways in which it has of late dealt with its global frontiers.
... sound-bite observations of the media led to a cameo appearance in Annie Hall and an interview by Playboy, and he is still quoted to this day for coining the term “global village” and for his dictum that “the medium is the message.
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