Television StudiesTelevision Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course. |
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Some might choose to look back mournfully and construct Golden Age myths of an era of “true” television. In years gone by, particular programs may have held greater sway, as when the owners of 82.6% of American televisions watched Elvis ...
In the US, George Gerbner became one of the leading social science voices and worked to construct an adequate methodology for examining the consequences of television violence. Founding the Cultural Indicators Research Project, Gerbner, ...
The analysis of the Glasgow Group led to intense debate between researchers and broadcasters that was important in drawing attention to the previously unexamined norms of television news, the constructed nature of “news,” and the ...
... that went beyond cataloguing or evaluating cultural products' “beauty” or inner truths, and instead focused on how they constructed and/or maintained ideology and ideas of “common sense,” beauty, or truth in the first place.
... the screen constructing its own audience, leaving television still sidelined and of lesser importance. The study of television also emerged within the humanities-based areas of communication, namely rhetorical studies and criticism.