Television StudiesJohn Wiley & Sons, 15 janv. 2019 - 208 pages Television Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course. |
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... ideology Television studies and critical analysis What now and next? New directions for textual analysis Notes 2: Audiences A prehistory of television studies' engagement with audiences The CCCS intervention The active audience Early ...
... ideology and ideas of “common sense,” beauty, or truth in the first place. A wide range of theories and approaches to the study of culture were added to the humanistic tradition by scholars influenced by Marxism, critical race and ...
... ideological work of film, and discussed further in Chapter 1 – saw media as creating and disciplining their own audiences, attributing greater significance to the screen than to the individuals watching it. Production was also ...
... ideology worked at the level of the text. The CCCS is most famous for its work in the 1970s, under the leadership of ... ideological change or stasis. Of particular interest, too, was how ideas of “common sense” were formed, and, while ...
... ideological work. Similarly, work from within film and screen studies influenced the Group's commitment to textual analysis. Yet the group rejected the determinism assumed by film studies, in which audiences, or “subjects,” were mere ...