Television Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field.
What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television.
For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.
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In response, the US television industry has fed what we may look back on as an exuberant bubble of series production – offering many series that continue to stretch the boundaries of its established network-era television storytelling ...
Production was also marginalized in importance within screen theory. And finally, screen theory was often fondest of film, whether because film was still a favored art form, and/or because its address to large groups in a darkened room ...
Cultural studies approaches A third key seed from which television studies grew, one that Williams had helped nurture, ... many within the CCCS shared a concern for the effects of the industrialization of cultural production, ...
Similarly, work from within film and screen studies influenced the Group's commitment to textual analysis. ... culture in the production of a thriving subculture.28 As this selection of topics should suggest, cultural studies scholars ...
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