Television Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field.
What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television.
For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.
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What television studies? A brief genealogy of television studies Distinguishing television studies Conclusion Notes 1: Programs Understanding the late arrival of close analysis Prehistory and influences on the textual analysis of ...
... to television industries studies Areas of focus of television industry studies Emerging trends Notes 4: Contexts Histories of television Contextual program analysis Notes Conclusion Have we made television studies impossible?
Lately, keeping up with television has become hard work. The number of shows one wants to watch or is told one “must” watch regularly require far more hours than any of us have to spare. And yet not only are new programs constantly ...
In fact, all of the pre-internet ways of viewing, types of programs, and television businesses persist, so that despite our chronicle of change, the story of contemporary television is not one of the transition from one norm to another ...
... a sign of the medium's maturation and vitality. We would hardly condemn the state of book publishing just because 50% of readers aren't all reading the same book. Moreover, though they achieve it less regularly, television programs ...
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