Television Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field.
What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television.
For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.
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New directions for textual analysis Notes 2: Audiences A prehistory of television studies' engagement with audiences The CCCS intervention The active audience Early fan studies The attack on active audience theory Television talk The ...
... textual, audience, or industrial analysis, thereby vastly limiting their utility. An academic analysis of television needed to be able to advance beyond troubling, bizarre declarations such as “most TV stars are men, that is, ...
Moreover, the CCCS refused to regard texts as mere “conveyor belts” that unproblematically transferred ideas from producer to consumer, nor did they regard audiences as mere dupes; thus a great deal of their efforts were expended ...
Similarly, work from within film and screen studies influenced the Group's commitment to textual analysis. Yet the group rejected the determinism assumed by film studies, in which audiences, or “subjects,” were mere projections from the ...
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