Krautrocksampler: petit guide d'initiation à la grande kosmische muzikEditions Kargo, 2005 - 166 pages Histoire du krautrock né en Allemagne dans les années 60 : free-rock à la fois cosmique et tellurique. Analyse l'influence de cette musique sur celles nées après et décrypte la musique de 50 disques. Contient les reproductions des pochettes de ces disques. |
Expressions et termes fréquents
allait allemand Amon Düül anglais appareils électroniques artistes Ash Ra Tempel avaient basse batterie Brain Brian Barritt C'était Carnival In Babylon carrément chanson chant chose classique Cluster Conrad Schnitzler Cosmic Couriers Cosmic Jokers cosmique d'Amon Düül d'Ash Ra début déjanté délire Dieter Dierks double album Düsseldorf Edgar Froese Electronic Meditation Enke enregistré face B Faust Florian Fricke flûte free-jazz free-rock Golowin groove groupe guitare Harmut Holger Czukay intitulé John Weinzierl jouer Klaus Dinger Klaus Schulze kosmische musik Kraftwerk krautrock l'album l'Allemagne de l'Ouest l'enregistrement l'orgue label mantra Manuel Göttsching mélodie ment Michael Rother minutes Moebius Monks morceau éponyme Music musicale musiciens musique expérimentale orgue percussions Phallus piano pochette Popol Vuh premier album psychédélique punk putain Ralf Records Renate riffs rock rock'n'roll Roedelius Rolf Rolf-Ulrich Kaiser rythme scène seul Seven sonore sortit Stockhausen Stooges studio synthétiseur Tangerine Dream Tarot Timothy Leary trip Velvet Underground voix wah-wah Westrupp Zeit
Fréquemment cités
Page 37 - This postmodernist placement of meaning within the listener (as opposed to a meaning situated in the musical work itselfl is one of Faust's primary aesthetic goals. As stated in their manifesto: Faust have mentioned that working as they do in the space between concept & realisation they are in fact doing nothing. Faust would like to play for you the sound of yourself listening. Then we would have consciousness. then we could talk about altering that consciousness. then we could forget about the music.
Page 37 - something's in the air". absurd decisions this is the time we are in love wrth . the Absurd was ushered in & seated in the place of honour . this was an attempt to render the Absurd impotent, it failed. the Absurd, it is now decided, has medicinal properties'.
Page 168 - Bembo de corps 10,5 et achevé d'imprimer le 9 avril 2004 sur les presses de l'imprimerie France-Quercy, à Cahors, pour le compte des éditions Kargo.
Page 37 - FAUST situations in preparation: a pièce to be performed in time, during Faust's forthcoming tour of England. not so much an experience as a situation, to which one is highly subject. influence a list called 'thus...
Page 37 - ... between concept & realisation they are in fact doing nothing. Faust would like to play for you the sound of yourself listening . then we would have consciousness. then we could talk about altering that consciousness. then we could forget about music'. "hollowing caves of bass with mollets of wool they played. leaving the treble shriek to gel in a slit in the moon they played".
Page 37 - ... this was an attempt to render the Absurd impotent, it failed. the Absurd, it is now decided, has medicinal properties'. the Absurd, it is now discovered, decides'. but that was now, learning to eat time with one's ears. savouring each moment - distinct as a dot of braille, how located the you yoo see you as is'.