Globalization, Cultural Identities, and Media RepresentationsNatascha Gentz, Stefan Kramer State University of New York Press, 1 févr. 2012 - 242 pages Globalization, Cultural Identities, and Media Representations provides a multidirectional approach for understanding the role of media in constructing cultural identities in a newly globalized media environment. The contributors cover a wide range of topics from different geopolitical areas, historical periods, and media genres. Case studies examined include the shift from print to Internet, local representations of modern world cinema and glo/cal television, narrative strategies in transnational literature, and cultural economics of the mediation of world music in India, China, Algeria, Israel, Europe, and the United States. This case study approach allows for deeper insights into the complexity of each cultural subsystem as part of the whole media culture system. This book exemplifies a transcultural and transdisciplinary dialogue that maps out new—relocalized—territories and borders for mediated cultural identities and also reveals the complexity and connectedness of all of these discourses. |
Table des matières
| 1 | |
From a Culture of Memory to a Culture of Attention | 11 |
The Resilience of Nationhood | 25 |
Taiwanese Cinema Between Utopia and Heterotopia | 45 |
Garifuna Song Groove Locale and WorldMusic Mediation | 59 |
Transculturality through MultiIdentity | 81 |
Transnationalism Narrative and Representation | 99 |
Ethnicity Memory and Trauma in Gao Xingjians Novel One Mans Bible | 119 |
Film and Music or Instabilities of National Identity | 143 |
The Italian Peplum 19101930 | 153 |
Their Masters Voice?The Coverage of Intifada II onIsraeli Television | 169 |
Drifted Liberties and Diffracted Identities?Algerian Audiences and the Parabola | 181 |
Photographic Discourse and Cultural Identity in Hungary | 207 |
Contributors | 219 |
| 223 | |
Autres éditions - Tout afficher
Globalization, Cultural Identities, and Media Representations Natascha Gentz,Stefan Kramer Aucun aperçu disponible - 2006 |
Globalization, Cultural Identities, and Media Representations Natascha Gentz,Stefan Kramer Aucun aperçu disponible - 2006 |
Expressions et termes fréquents
action hero aesthetic Algerian analysis Anthropology Arab Asian Asian American attention audiences become Belize Cabiria character China Chinese American classical communication complex concept construction contemporary context critics cultural identity Cultural Revolution dialogue Dirlik discourse dispositifs economic Edited Electronic Present Ernő Kunt ethnic experience of culture explore filmmakers Gabrielle Gao Xingjian Garifuna music genre German global Hong Kong hybridity ideological images imagination important Indian cinema Intifada Israeli Italian language literary literature London martial arts films Maxine Hong Kingston memory Miskolc modern myths narrative nationhood networks novel Palestinian past peplum perspective photographs plays political popular cinema production protagonist public space Punta Rock question reference representation role satellite dish satellite television sense situation social society specific story structure Studies Taiwan Taiwanese tion traditional transcendence translation ture Univ viewers visual Western woman women world music world-music writing Xena York
Références à ce livre
Memoria e comunicazione: una teoria comunicativa complessa per le cose del ... Roberta Bartoletti Aucun aperçu disponible - 2007 |
