Turkish Cinema: Identity, Distance and Belonging

Couverture
Reaktion Books, 15 nov. 2008 - 224 pages
Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.
 

Table des matières

Introduction
7
1 In Search of Identity
22
2 Migration DisMisplacement and Exile
57
3 Denied Identities
89
4 Yilmaz Guney
116
5 Gender Sexuality and Morals in Transition
142
6 A Modern Identity or Identity in a Modern World
180
Afterword
211
Film Credits
225
References
241
Bibliography
253
Acknowledgements
259
Index
261
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À propos de l'auteur (2008)

Gönül Dönmez-Colin is a film scholar specializing in the cinemas of Central Asia and the Middle East. She is the author of Women, Islam and Cinema, Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia, and The Cinema of North Africa and the Middle East.

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