A Revolution in European Poetry, 1660-1900Columbia University Press, 1940 - 279 pages |
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Page 4
... taste among his courtiers preferred tragedy to comedy as more befitting the majesty of the realm . According to Aristotle , whom they accepted as the infallible literary law - giver , the chief tragic characters must be of noble rank ...
... taste among his courtiers preferred tragedy to comedy as more befitting the majesty of the realm . According to Aristotle , whom they accepted as the infallible literary law - giver , the chief tragic characters must be of noble rank ...
Page 26
... taste assumed by Boileau and Pope . His Pindaric Odes ( 1757 ) , imitative of the impetuosity of the great Greek lyricist , de- parted from the practice of the British ode by treating themes from Northern Europe . In 1768 he continued ...
... taste assumed by Boileau and Pope . His Pindaric Odes ( 1757 ) , imitative of the impetuosity of the great Greek lyricist , de- parted from the practice of the British ode by treating themes from Northern Europe . In 1768 he continued ...
Page 35
... taste . Democratic Athens , Renaissance London mingling in the theatre diverse ranks of a feudal society becoming fluid , and the court of Louis XIV could each produce masterpieces after its kind , incommensurate with one another ...
... taste . Democratic Athens , Renaissance London mingling in the theatre diverse ranks of a feudal society becoming fluid , and the court of Louis XIV could each produce masterpieces after its kind , incommensurate with one another ...
Table des matières
Tradition and Reason | 1 |
The Voice of the North | 36 |
Joy in Commonalty Spread | 87 |
Droits d'auteur | |
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Expressions et termes fréquents
ancient Ange plein antique aristocratic Arnold ballad Baudelaire beauty Blake Boileau born British Byron century Christian Coleridge contemporary court culture death drama dreams earth eighteenth emotion Empedocles England English eternal Europe European eyes faith fate Faust feeling France French genius German Giacomo Leopardi Goethe Goethe's Greece Greek heart Heine Hellenic Herder Hölderlin Homer Hugo Hugo's human imagination intellectual Italian Italy Keats Keats's Lamartine language Leconte de Lisle Leopardi literary literature living Louis Louis XIV Lyrical Ballads Matthew Arnold Mephistopheles mind Molière Napoleon nature noble Novalis pain Paris passion Pindar poems poet's poetic poetry poets political Pope primitive prose Racine Revolution rhyme Rimbaud rococo Rome Schiller sense Shakespeare Shelley Shelley's social song soul SOURCES OF IDEAS spirit style symbolic taste Tennyson theme thou thought tion tragedy translation uncon universe Verlaine verse Victor Hugo Vigny vocabulary Voltaire Weimar Winckelmann Wordsworth youth