Art and Architecture in Italy, 1600 to 1750This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition-now published in three volumes-will also include color illustrations for the first time. |
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Expressions et termes fréquents
Alessandro Andrea Antonio architect architecture architetti Art Bull Arte veneta arti artists Atti barocco Bergamo Bernardo Bernardo Vittone Bernini bibliography Boll Bologna Bolognese Borromini Burl Camillo Rusconi Cappella Carlo Carlo Fontana catalogue chapel Chiesa church Corsini d’Arte decoration Disegni documents dome Domenico Drawings eighteenth century exhib f Kunstg facade Ferdinando figures Filippo Filippo della Valle Filippo Juvarra finished first Florence Fontana Francesco frescoes Genoa Giacomo Giambattista Tiepolo Giovan Giovanni Battista Giovanni in Laterano Giuseppe Guarini Guarino Guarini High Baroque influence Italian Italy Juvarra London Longhi Lorenzo Luigi Maratti Marco Maria masters Milan monograph monumental Naples Napoli painter painting palace Palazzo Palermo Palladio Paolo Paragone Piazza Piedmont Pietro pittori pittura pupil Ricci Rococo Roma Roman Rome Rusconi sculpture scultura Sebastiano Sebastiano Ricci Seicento Settecento St Peter’s staircase Storia dell'Arte Stupinigi style Tiepolo tomb Torino tradition Turin Vanvitelli Venetian Venice Villa Vittone vols Wittkower
Fréquemment cités
Page 62 - French school of historical scholars, at the end of the seventeenth and the beginning of the eighteenth century...
Page 37 - Gothic builders who constructed arches 'which seem to hang in the air; completely perforated towers crowned by pointed pyramids; enormously high windows and vaults without the support of walls. The corner of a high tower may rest on an arch or on a column or on the apex of a vault'.
Références à ce livre
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Aucun aperçu disponible - 1997 |
Esthetique du Rococo. - Paris: Vrin 1966. 304 S., 14 Bl. Abb. 8° Philippe Minguet Affichage d'extraits - 1966 |

