Arcades & ComusUniversity Press, 1891 - 208 pages |
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Page vi
... history of the Masque has been given in the Introduction . Mr Fleay's great work , the Chronicle History of the stage , contains the facts that bear on the development of the Masque , and Mr Symonds in his Shakspere's Predecessors ...
... history of the Masque has been given in the Introduction . Mr Fleay's great work , the Chronicle History of the stage , contains the facts that bear on the development of the Masque , and Mr Symonds in his Shakspere's Predecessors ...
Page xxii
... history of his own country . For a time he was evidently inclined to choose the Arthurian story1 , the only cycle of events in British history or legend which seems to lend itself naturally to epic treatment . Had he done so we should ...
... history of his own country . For a time he was evidently inclined to choose the Arthurian story1 , the only cycle of events in British history or legend which seems to lend itself naturally to epic treatment . Had he done so we should ...
Page xxix
... history of the first great age of English poetry . Milton ended what Spenser had begun . As long as literature endures , the memory of this noble lady of the Elizabethan and Jacobean world will remain . Arcades . The piece is a Dramatic ...
... history of the first great age of English poetry . Milton ended what Spenser had begun . As long as literature endures , the memory of this noble lady of the Elizabethan and Jacobean world will remain . Arcades . The piece is a Dramatic ...
Page xxxii
... history of Comus are as follows . and when . The son - in - law of the Countess of Derby was created , as Why written , we said , Earl of Bridgewater in 1617. This was in return for the services rendered by his father as Lord Chancellor ...
... history of Comus are as follows . and when . The son - in - law of the Countess of Derby was created , as Why written , we said , Earl of Bridgewater in 1617. This was in return for the services rendered by his father as Lord Chancellor ...
Page xxxv
... history of Comus . Something must be said about the poem itself — the sources from which Milton drew , the undercurrent of idea that runs throughout , the dramatic value of the Masque , its ethical and literary qualities . In lines 43 ...
... history of Comus . Something must be said about the poem itself — the sources from which Milton drew , the undercurrent of idea that runs throughout , the dramatic value of the Masque , its ethical and literary qualities . In lines 43 ...
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Expressions et termes fréquents
Adonis Æneid allusion Anti-masque Arcades beautiful Ben Jonson blank verse Book brother Cambridge charm Circe classical comedy Comus Cotgrave Countess Court dance derived Dict Dictionary dramatic Du Cange Echo edition editors Egerton Elizabethan English entertainment epithet Faerie Queene Fletcher French Giles Fletcher goddess hath Heaven Hence honour Inigo Jones Italian Italy Jonson Jonson's Masque king Lady Latin latter Lawes Lear Lord Low Lat Low Latin Lycidas lyric Masque of Blackness Masque of Queens Masque-writers Masson Mayhew and Skeat meaning metaphor Midsummer N. D. Milton modern Nativity Ode nature night noble nymphs Odyssey original Paradise Lost passage pastoral performance perhaps phrase piece Pitt Press play poem poet poetry present quotes reference Romeo and Juliet Sabrina says scene sense Shakespeare Shepheards Calender Shepherd Sir Henry song Sonnet speaks spelling Spenser spirits Tempest thee thou verb Vergil word writes
Fréquemment cités
Page 128 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Page 142 - How soon hath Time, the subtle thief of youth, Stolen on his wing my three-and-twentieth year ! My hasting days fly on with full career, But my late spring no bud or blossom shew'th.
Page 164 - But earthlier happy is the rose distill'd Than that which, withering on the virgin thorn, Grows, lives, and dies in single blessedness.
Page 172 - But we speak the wisdom of God in a mystery, even the hidden wisdom which God ordained before the world unto our glory.
Page 197 - Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Page 13 - Yet some there be that, by due steps, aspire To lay their just hands on that golden key That opes the palace of eternity. To such my errand is...
Page 37 - Beauty is Nature's brag, and must be shown In courts, at feasts, and high solemnities, Where most may wonder at the workmanship. It is for homely features to keep home; They had their name thence: coarse complexions And cheeks of sorry grain will serve to ply The sampler, and to tease the huswife's wool.
Page 13 - Above the smoke and stir of this dim spot Which men call Earth, and, with low-thoughted care, Confined and pestered in this pinfold here, Strive to keep up a frail and feverish being, Unmindful of the crown that Virtue gives, After this mortal change, to her true servants 10 Amongst the enthroned gods on sainted seats.
Page 105 - Though ye have lien among the pots, yet shall ye be as the wings of a dove covered with silver, and her feathers with yellow gold.
Page xx - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things ought himself to be a true poem ; that is, a composition and pattern of the best and honourablest things; not presuming to sing high praises of heroic men, or famous cities, unless he have in himself the experience and the practice of all that which is praiseworthy.