Sounds of Change: A History of FM Broadcasting in America

Couverture
Univ of North Carolina Press, 15 sept. 2009 - 336 pages
When it first appeared in the 1930s, FM radio was a technological marvel, providing better sound and nearly eliminating the static that plagued AM stations. It took another forty years, however, for FM's popularity to surpass that of AM. In Sounds of Change, Christopher Sterling and Michael Keith detail the history of FM, from its inception to its dominance (for now, at least) of the airwaves.

Initially, FM's identity as a separate service was stifled, since most FM outlets were AM-owned and simply simulcast AM programming and advertising. A wartime hiatus followed by the rise of television precipitated the failure of hundreds of FM stations. As Sterling and Keith explain, the 1960s brought FCC regulations allowing stereo transmission and requiring FM programs to differ from those broadcast on co-owned AM stations. Forced nonduplication led some FM stations to branch out into experimental programming, which attracted the counterculture movement, minority groups, and noncommercial public and college radio. By 1979, mainstream commercial FM was finally reaching larger audiences than AM. The story of FM since 1980, the authors say, is the story of radio, especially in its many musical formats. But trouble looms. Sterling and Keith conclude by looking ahead to the age of digital radio--which includes satellite and internet stations as well as terrestrial stations--suggesting that FM's decline will be partly a result of self-inflicted wounds--bland programming, excessive advertising, and little variety.



 

Table des matières

FOREWORD
ACKNOWLEDGMENTS
FM in Radios History
1 Creating a New System Before 1941
2 War and Evolution 19411945
3 The Dismal Years 19451957
4 Turnaround 19581965
5 A Sound Alternative 19661980
7 Clouds in the Air Since 1995
Defining he Context of FM
AM FM and HD Radio Technology
FM Historical Statistics 19452005
Changing FM National Coverage 19492005
NOTES
SELECTED BIELIOGRAPHY
INDEX

FM Is Radio 19801995

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Expressions et termes fréquents

À propos de l'auteur (2009)

Christopher H. Sterling is professor of media and public affairs at George Washington University. He is author or editor of two dozen books, including Stay Tuned: A History of American Broadcasting.

Michael C. Keith is associate professor of communication at Boston College. A former broadcast professional, he cofounded the Broadcast Education Association's Radio and Audio Media division and is author of twenty books, including Dirty Discourse: Sex and Indecency in American Radio.

Informations bibliographiques