Impresario: The Life and Times of Ed SullivanBillboard Books, 2006 - 344 pages • Sullivan has nearly 100% name recognition among people 40 and older • In a survey of the fifty most influential programs in the U.S.,TV GuiderankedThe Ed Sullivan Show#10 • Show still appears on PBS and on cable stations across the country • Sixty million baby boomers grew up watchingThe Ed Sullivan Show For more than twenty years, from 1948 to 1971, fifty-five million viewers watchedThe Ed Sullivan Showreligiously every Sunday night. Everyone who was anyone appeared—the Beatles and Elvis, of course, and Woody Allen, Bill Cosby, and Elizabeth Taylor, plus public figures such as Fidel Castro, David Ben-Gurion, and Martin Luther King, Jr. More than thirty years later, the program remains a pop-culture icon. But despite Ed Sullivan’s prominence, little was known about the private man...until now.Impresarioreveals what the Sullivan viewers never saw: nasty, hot-tempered, craven, yet also capable of high ideals and, above all, hugely ambitious. At a time when Americans are looking back, The Ed Sullivan Show stands out as a shining example of television during the golden era.Impresariolets readers look behind the screen to see the man who made it happen. |
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Page 134
... talent coordinator Mark Leddy . The showman attempted to control every aspect of the program . ( Globe Photos ) Since his most significant role on the show was producer , Ed could have hired someone else as emcee . It would have saved ...
... talent coordinator Mark Leddy . The showman attempted to control every aspect of the program . ( Globe Photos ) Since his most significant role on the show was producer , Ed could have hired someone else as emcee . It would have saved ...
Page 163
... talent pushed prices exponentially higher . Where once a Sullivan column mention and $ 100 was enough to attract guests , those days were now long gone . The relative scarcity of entertainers turned TV talent agents into major players ...
... talent pushed prices exponentially higher . Where once a Sullivan column mention and $ 100 was enough to attract guests , those days were now long gone . The relative scarcity of entertainers turned TV talent agents into major players ...
Page 164
... talent budget . ” The chief problem was that Toast of the Town had no agency dedicated to it . The William Morris Agency had a tight relationship with Texaco Theater , and MCA was joined at the hip with Comedy Hour . But Toast of the ...
... talent budget . ” The chief problem was that Toast of the Town had no agency dedicated to it . The William Morris Agency had a tight relationship with Texaco Theater , and MCA was joined at the hip with Comedy Hour . But Toast of the ...
Table des matières
PART | 9 |
CHAPTER | 21 |
CHAPTER THREE | 38 |
Droits d'auteur | |
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Expressions et termes fréquents
actor Allen American appeared asked audience band Beatles began Benny Berle Betty Bill Bob Hope Bob Precht booked broadcast Broadway called camera canceled Castro column columnist Comedy Hour comic Connie Francis Daily dance dancers debut dress Ed Sullivan Show Ed's Eddie Cantor Elvis emcee entertainment evening's felt film going headlines Hollywood host Ibid interview with author Jack Jack Benny Jack Warner Jackie knew later launched look Love Marlo Lewis Milton Berle movie never Nielsen nightclub October onstage performers played Port Chester Presley producer radio ratings recalled rehearsal reporter rock roll routine sang script season show business show's showman Sinatra singer singing song stage star story studio Sullivan show Sunday night Sylvia talent television theater Toast told took Town variety show vaudeville viewers Walter Winchell wanted Warner week wrote York Evening Graphic York Journal-American York Post
Références à ce livre
The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous ... James Robert Parish Aucun aperçu disponible - 2011 |