The Art of Piano Playing: A Scientific ApproachAlfred Music, 16 nov. 1995 - 80 pages So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in the United States. From these sources, tempered by this own thinking, Kochevitsky formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. After coming to the U.S., he taught privately in New York City, gave a number of lectures, and wrote for various music periodicals. |
Table des matières
Part 2 The Central Nervous System and Piano Playing | 19 |
Part 3 Problems of Piano Playing and Teaching | 35 |
Conclusion | 54 |
References | 57 |
Bibliography | 58 |
| 66 | |
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ability accents achieve adjustment afferent nerve anatomic-physiological school Anton Rubinstein Art of Playing artistic attention auditory Bach brain Breitkopf & Härtel Busoni cells centers central nervous system Chiroplast Chopin clavichord composition conditional stimulus conditioned reflex conscious coordination cortex Deppe Deppe's Etude excitation execution exercises Ferruccio Busoni finger school form of movement fortepiano Grigori hand and fingers Heft Ibid important inhibition instrument keyboard Keyboard Instruments Klavier Klavierspiel Klaviertechnik legato Leipzig Liszt mechanical mental ments Moscow motor act motor activity motor region muscle contractions Musician Musik Muzgiz nerve nervous processes notes octave old school passage performance physiological pianist pianistic movement piano pedagogy piano playing piano teacher piano technique pianoforte playing apparatus practicing principles problems of piano proprioceptive proprioceptive sensations pupil Raif regrouping result Sovetskaya muzyka Steinhausen stimulation succession Svyatoslav Richter tech technical development tempo Theodor Theodor Leschetizky tion tonal tone Úber upper visual Walter Gieseking wrist wrote York