The Europeanness of European Cinema: Identity, Meaning, Globalization

Couverture
Mary Harrod, Mariana Liz, Alissa Timoshkina
I.B.Tauris, 19 déc. 2014 - 288 pages
From The Artist toThe White Ribbon, from Oscar to Palme d’Or-winning productions, European filmmaking is more globally prominent than ever before. This book attempts to identify the distinctive character of European cinema, both in films and as a critical concept. Including in-depth analyses of production and reception contexts as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. A timely intervention in the fields of European and transnational film studies, this book will appeal to film enthusiasts as much as students and specialists.

Avis des internautes - Rédiger un commentaire

Aucun commentaire n'a été trouvé aux emplacements habituels.

Autres éditions - Tout afficher

À propos de l'auteur (2014)

Mariana Liz is a Postdoctoral Research Fellow at ICS-ULisboa, the Institute of Social Sciences at the University of Lisbon, in Portugal. She completed a PhD in Film Studies at King's College London in 2012 and taught at King's, Queen Mary and at the University of Leeds in the UK before moving to Portugal in 2016. She is the author of Euro-Visions (2016), editor of Portugal's Global Cinema (2018) and co-editor of The Europeanness of European Cinema(with Mary Harrod and Alissa Timoshkina; 2015). Her work on European film and contemporary Portuguese cinema has been published in Studies in European Cinema, New Cinemas and the Journal of Romance Studies, among other publications.

Informations bibliographiques