American Cinema of the 1990s: Themes and Variations

Couverture
Chris Holmlund
Rutgers University Press, 2008 - 288 pages
With the U.S. economy booming under President Bill Clinton and the cold war finally over, many Americans experienced peace and prosperity in the nineties. Digital technologies gained popularity, with nearly one billion people online by the end of the decade. The film industry wondered what the effect on cinema would be.

The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies. Horror films and thrillers were on the rise, but family-friendly pictures and feel-good romances netted big audiences too. Meanwhile, independent films captured hearts, engaged minds, and invaded Hollywood: by decade's end every studio boasted its own "art film" affiliate.

 

Pages sélectionnées

Table des matières

Movies and the OffWhite Gangster
24
Movies and Wayward Images
45
Movies and the Politics of Authorship
70
Movies and the New Economics of Blockbusters
91
Movies and Partisan Politics
115
Movies Teens Tots and Tech
137
Movies and Homeland Insecurity
157
Movies and the Usable Past
180
Movies Dying Fathers and a Few Survivors
203
Movies and Millennial Masculinity
225
Select Academy Awards 19901999
249
Contributors
271
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À propos de l'auteur (2008)

CHRIS HOLMLUND is a professor of cinema studies, women's studies, and French at the University of Tennessee-Knoxville. She is also chair of the Cinema Studies Program and the author of several books on film.

Informations bibliographiques