Poems that Look Just Like Poems

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Presses universitaires de Rouen et du Havre, 2019 - 132 pages
Poetry. A startlingly direct, clear look at daily experience, including the graceful changes of direction in consciousness. At once a spiritual journal and a pared down writing that arises, in part, from years of Zen meditation, Lazer's book continues an American tradition of spiritual accounting: the sacred, the holy, and the mysterious emerging from daily experience. These poems have an inviting simplicity to them. They are poems that reward rereading.

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À propos de l'auteur (2019)

Hank Lazer has published thirty books, including POEMS THAT LOOK JUST LIKE POEMS (Presses Universitaires de Rouen, 2019), SLOWLY BECOMING AWAKE (N32) (Dos Madres Press, 2019), Evidence of Being Here: Beginning in Havana (N27) (Negative Capability Press, 2018), THINKING IN JEWISH (N20) (Lavender Ink, 2017), POEMS HIDDEN IN PLAIN VIEW (in English and in French, 2016), Brush Mind: At Hand (GreencupBooks, 2016), N24 (Little Red Leaves / Textile Series, 2014), N18 (COMPLETE) (Singing Horse Press, 2012), Portions (Lavender Ink, 2009), THE NEW SPIRIT (Singing Horse, 2005), Elegies & Vacations (Salt, 2004), and Days (Lavender Ink, 2002). Selected Poems and Essays of Hank Lazer, completed by a group of translators and with a Preface by Nie Zhenzao, was published by Central China Normal University Press in 2015. Lazer's Selected Poems have also been published in Italy (Pensando Cantando: Poesie Scelte di Hank Lazer, QuiEdit, 2015, translated by Anny Ballardini) and will be appearing shortly in Cuba (Pensando Cantando, Torre de letras, translated by Omar Pérez). In 2011, in collaboration with visual artists from the Taller Experimental de Gréfica in Havana and the University of Alabama's Book Arts program, Lazer published Indivisible, a fine press bilingual edition of handwritten shape poems. Pages from the notebooks have been performed with soprano saxophonist Andrew Raffo Dewar, including performances at the University of Georgia (November 2013) and in Havana, Cuba (two concerts in January 2014), and most recently with legendary Birmingham improvisational guitarist Davey Williams. Over the past fifteen years, Lazer has collaborated with various jazz musicians, filmmakers, choreographers, and visual artists in seeking new ways to present poetry. With co-editor Charles Bernstein, Lazer edits the Modern and Contemporary Poetics Series for the University of Alabama Press. In January 2014, Lazer retired from the University of Alabama (where he continues to teach) after 37 years in a variety of positions, including Associate Provost for Academic Affairs, Executive Director of Creative Campus, and Professor of English.

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