MaComère, Volume 3Association of Caribbean Women Writers and Scholars, 2000 |
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Page 91
... voice heard . At one point in an argument with her husband about his ignorance of the plan , he interrupts her . Mrs. Cruickshank's reaction to his interruption startled even her daughter : " My mother didn't let him finish - she raised ...
... voice heard . At one point in an argument with her husband about his ignorance of the plan , he interrupts her . Mrs. Cruickshank's reaction to his interruption startled even her daughter : " My mother didn't let him finish - she raised ...
Page 96
... voice must also sound ; these voices create the background necessary for his own voice , outside of which his artistic prose nuances cannot be perceived , and without which ' they do not sound " ( 278 ) . Just as the characters ' and ...
... voice must also sound ; these voices create the background necessary for his own voice , outside of which his artistic prose nuances cannot be perceived , and without which ' they do not sound " ( 278 ) . Just as the characters ' and ...
Page 173
... voice or message she attempts to render turns flat . The collection is not divided into sections . However , the ... voices from those of the impoverished : a poor mother , inner - city teachers , street kids - to those struggling with ...
... voice or message she attempts to render turns flat . The collection is not divided into sections . However , the ... voices from those of the impoverished : a poor mother , inner - city teachers , street kids - to those struggling with ...
Table des matières
Carole Boyce Davies | 8 |
Hillhouse | 26 |
Velma Pollard | 30 |
Droits d'auteur | |
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Expressions et termes fréquents
African American Anancy artists Barbara Barbara Christian become Big Drum Black Women Breath Caribbean literature Caribbean Women Writers Carriacou characters child colonial Creole critic Cruickshank Cuban Danticat daughter Debbie Desaragne diasporic discourse dreams Drumblair Edna Manley Edna's Edwidge Danticat English Erzulie essays ethnic Eyes father female feminist fiction French gender going grandmother Grenada Guadeloupe Haiti Haitian Hazel homeland identity irony ISBN island Jamaica Jean Rhys language literary lives lougarou MaComère male Margaret Maryse Condé McDaniel Memory Michelle Cliff Miss Coolie Morejón mother narrative narrator never novel Olive Senior Opal Palmer Adisa Persaud's person perspective poems poetry political protagonist reader relationship ritual Seacole Seacole's Senior sexual Signifyin(g sister slave social songs Sophie space Studies tell Télumée Télumée's Thécla Tituba Toni Morrison Toussine traditional Trinidad understand University Vodou voice wanted West Indian woman words York young