Evidences of Romanticism in the Poetry of Medieval EnglandSlater, 1929 - 202 pages |
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Page 50
... Shelley , and Keats . She assigns to Byron , to Scott , and even to Coleridge only the style of the movement . Miss A. E. Powell ( to whom my indebtedness in this chapter will be apparent ) is broader , for she bases her investigation ...
... Shelley , and Keats . She assigns to Byron , to Scott , and even to Coleridge only the style of the movement . Miss A. E. Powell ( to whom my indebtedness in this chapter will be apparent ) is broader , for she bases her investigation ...
Page 51
... SHELLEY AND KEATS 2 Any investigation of English romanticism should include at least a brief consideration of Shelley , for his natural intuition of the redeem- ing and transforming power of spiritual love and beauty , and his Platonic ...
... SHELLEY AND KEATS 2 Any investigation of English romanticism should include at least a brief consideration of Shelley , for his natural intuition of the redeem- ing and transforming power of spiritual love and beauty , and his Platonic ...
Page 53
... Shelley writes , " expresses those arrangements of language , and especially metrical lan- guage , which are created by that imperial faculty whose throne is curtained within the invisible nature of man . And this springs from the ...
... Shelley writes , " expresses those arrangements of language , and especially metrical lan- guage , which are created by that imperial faculty whose throne is curtained within the invisible nature of man . And this springs from the ...
Table des matières
CHAPTER | 3 |
which this study is based | 47 |
Nature of romanticism in Middle English poetry Roman | 109 |
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Autres éditions - Tout afficher
Evidences of Romanticism in the Poetry of Medieval England Sister Mary Eunice Rasin Affichage d'extraits - 1929 |
Expressions et termes fréquents
accepted according Allen appear attitude beauty called century chap Christ Christian Church Coleridge critics devotion divine early effect emotion England English especially evidence experience expression fact faculty Faith feeling finally Fire gift given gives Hampole heart herte human Ibid Ihesu imagination influence intensity interest intuitive knowledge Lady later Letters light literary literature Living London longing lyric marked Mary means medieval Middle Ages mind Miss movement mystery mystic nature never nevertheless nineteenth object Oxford Paris Passion Perfect period philosophical poem poet poetic poetry present realities realization reason refer religion religious Richard Rolle Rolle's romantic romanticism romanticists says seems sense song soul spiritual theory things thought tion true truth universal vision Wordsworth writes written York Yorkshire þat þou