Evidences of Romanticism in the Poetry of Medieval EnglandSlater, 1929 - 202 pages |
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Page 61
... imagination as the creative faculty15 are his chief contributions to the æsthetics of 45 43 Cf. Ibid . , Introduction , vol . 1 , p . xxv . 44 Ibid . , vol . 1 , pp . 58 , 60 , 62 , 63 . ary . 45 " The IMAGINATION , then , I consider ...
... imagination as the creative faculty15 are his chief contributions to the æsthetics of 45 43 Cf. Ibid . , Introduction , vol . 1 , p . xxv . 44 Ibid . , vol . 1 , pp . 58 , 60 , 62 , 63 . ary . 45 " The IMAGINATION , then , I consider ...
Page 62
... IMAGINATION in the highest and strictest sense of the word .... in imaginative power , he stands nearest of all modern writers to Shakespere and Milton . " - Ibid . , vol . II , p . 124 . 47 Ibid . , vol . II , p . 43. Coleridge is ...
... IMAGINATION in the highest and strictest sense of the word .... in imaginative power , he stands nearest of all modern writers to Shakespere and Milton . " - Ibid . , vol . II , p . 124 . 47 Ibid . , vol . II , p . 43. Coleridge is ...
Page 148
... imagination . Because of this wealth , the Middle Ages are often regarded as the hey - day of imagination unchecked by reason ; thus , as we have seen , Mr. A. W. Neilson defines romanticism as " the predominance of imagination over ...
... imagination . Because of this wealth , the Middle Ages are often regarded as the hey - day of imagination unchecked by reason ; thus , as we have seen , Mr. A. W. Neilson defines romanticism as " the predominance of imagination over ...
Table des matières
CHAPTER | 3 |
which this study is based | 47 |
Nature of romanticism in Middle English poetry Roman | 109 |
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Autres éditions - Tout afficher
Evidences of Romanticism in the Poetry of Medieval England Sister Mary Eunice Rasin Affichage d'extraits - 1929 |
Expressions et termes fréquents
accepted according Allen appear attitude beauty called century chap Christ Christian Church Coleridge critics devotion divine early effect emotion England English especially evidence experience expression fact faculty Faith feeling finally Fire gift given gives Hampole heart herte human Ibid Ihesu imagination influence intensity interest intuitive knowledge Lady later Letters light literary literature Living London longing lyric marked Mary means medieval Middle Ages mind Miss movement mystery mystic nature never nevertheless nineteenth object Oxford Paris Passion Perfect period philosophical poem poet poetic poetry present realities realization reason refer religion religious Richard Rolle Rolle's romantic romanticism romanticists says seems sense song soul spiritual theory things thought tion true truth universal vision Wordsworth writes written York Yorkshire þat þou