Formes Et Formations Au Dix-septième Siècle: Actes Du 37e Congrès Annuel de la North American Society for Seventeenth-Century French Literature, University of South Carolina, Columbia, 14-16 Avril 2005Narr, 2006 - 306 pages |
À l'intérieur du livre
Résultats 1-3 sur 26
Page 255
... performance , as a tablecloth separates him from the performance space and he is crouching on the floor underneath a table.3 This is necessary because the spectator must be hidden from Tartuffe , the performance's dupe , otherwise the ...
... performance , as a tablecloth separates him from the performance space and he is crouching on the floor underneath a table.3 This is necessary because the spectator must be hidden from Tartuffe , the performance's dupe , otherwise the ...
Page 257
... performance is specifically framed as such and several markers indicate that her actions in act IV , scene 5 should be distinguished from those of everyday reality . She describes the theatrical nature of her performance most clearly in ...
... performance is specifically framed as such and several markers indicate that her actions in act IV , scene 5 should be distinguished from those of everyday reality . She describes the theatrical nature of her performance most clearly in ...
Page 258
... performance space of a play is marked with a negative sign , meaning that it is not real . The interior performance space is marked with a double negative ( the not - real within the not - real ) . A double negative becomes a positive ...
... performance space of a play is marked with a negative sign , meaning that it is not real . The interior performance space is marked with a double negative ( the not - real within the not - real ) . A double negative becomes a positive ...
Table des matières
BUFORD NORMAN | 9 |
LA TRAGÉDIE EN MUSIQUE | 11 |
MATTHEW SENIOR | 12 |
Droits d'auteur | |
17 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
amour amoureux Atys autres Biblio 17 bien Boileau Bossuet c'est Cadmus et Hermione cœur contraire Corneille Corneille's Courcelles Cybèle d'une d'Urfé's Damon Démarate deux Dieu divertissements doit early modern effet été être exemple Fables fait femme Fontaine Fontaine's France Francion genre grand héroïque héros Histoire homme Hortense Hortense Mancini jamais Jouissance l'âme l'amour L'Astrée l'autre l'on l'opéra La Fontaine letters literary Livrets Lully lyrique Madame de Villedieu majeur Marie Marie Mancini Mazarin mineur mise mise en abyme modèle Molière Molière's monde mort musique n'est Nicomède nouvelle Œuvres Oropaste Paris passions Pausanias personnage peut Philippe Quinault pièce Pierre plaisir poem poème poésie poète poetic poétique polylogues premier propre qu'elle qu'il qu'on qu'un Quinault raison récit Recueil roman scène sens siècle sonnet sujet Surin Tartuffe Tendre texte théâtre Thomas Corneille Thomiris tonalité tout tragédie tragédie en musique tragique trilogues valeur Vérité vers Villedieu's voir woman women yeux