Stanley Kubrick: A Narrative and Stylistic Analysis
Falsetto explores many of Kubrick's often-used devices, including the long-take aesthetic, voice-overs, and moving camera, and discusses the thematic uses to which these techniques are applied. Finally, he presents the very first formal analysis of Eyes Wide Shut, the director's final, very much underrated masterwork. |
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Table des matières
Patterns of Narrative Organization | 1 |
THE KILLING | 2 |
ABSENCE AND PRESENCE IN LOLITA | 8 |
NARRATIVE REVERSAL REPETITION AND POINTS OF CONVERGENCE | 12 |
Time and Space Part 1 | 23 |
INDIVIDUAL FILMS | 38 |
Time and Space Part 2 | 53 |
Filmic Narration Part 1 | 85 |
Character and Performance | 149 |
BARRY LYNDON | 154 |
THE SHINING | 159 |
Final Thoughts | 169 |
NARRATIVE SEGMENTATIONS | 179 |
Filmography | 189 |
197 | |
201 | |