Media Semiotics: An Introduction, Second EditionManchester University Press, 5 juil. 2002 - 241 pages Media Semiotics is a lucid investigation of the critical approach in contemporary media studies. Using examples such as Big Brother and Billy Elliot, Jonathan Bignell steps easily from basic concepts to more complex theories, while devoting chapters to specific media forms. New material in this second edition includes sections on men's style magazines, docusoaps and 'realityTV', digital interactive television, and mobile phone text messaging. |
Table des matières
IV | 5 |
V | 8 |
VI | 11 |
VII | 13 |
VIII | 14 |
IX | 16 |
X | 17 |
XI | 20 |
XLVI | 105 |
XLVII | 106 |
XLVIII | 110 |
XLIX | 112 |
L | 116 |
LI | 121 |
LII | 124 |
LIII | 126 |
XII | 24 |
XIII | 26 |
XIV | 27 |
XV | 28 |
XVI | 29 |
XVII | 30 |
XVIII | 32 |
XIX | 34 |
XX | 36 |
XXI | 37 |
XXII | 39 |
XXIII | 43 |
XXIV | 46 |
XXV | 50 |
XXVI | 52 |
XXVII | 53 |
XXVIII | 55 |
XXIX | 56 |
XXX | 59 |
XXXI | 63 |
XXXII | 66 |
XXXIII | 71 |
XXXIV | 75 |
XXXV | 77 |
XXXVI | 78 |
XXXVII | 79 |
XXXVIII | 80 |
XXXIX | 82 |
XL | 88 |
XLI | 92 |
XLII | 94 |
XLIII | 99 |
XLIV | 103 |
XLV | 104 |
LIV | 129 |
LVI | 131 |
LVII | 133 |
LVIII | 136 |
LIX | 139 |
LX | 144 |
LXI | 148 |
LXII | 153 |
LXIV | 155 |
LXV | 156 |
LXVI | 158 |
LXVII | 161 |
LXVIII | 168 |
LXIX | 172 |
LXX | 177 |
LXXII | 179 |
LXXIII | 180 |
LXXIV | 183 |
LXXV | 186 |
LXXVI | 190 |
LXXVII | 195 |
LXXVIII | 199 |
LXXIX | 202 |
LXXX | 205 |
LXXXII | 207 |
LXXXIII | 211 |
LXXXIV | 216 |
LXXXV | 219 |
LXXXVI | 223 |
LXXXVII | 226 |
LXXXVIII | 227 |
| 228 | |
| 238 | |
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Expressions et termes fréquents
advertising audience Barthes BBC1 Big Brother broadcast camera channels chapter characters cinema computer games connotations constructed conventions crime Crimewatch culture decode denoted desire discourse discussed documentary docusoap drama encode example film gender genre Golf Estate grammes iconic signs identity ideological individual subjects instance interactive television intertextual involvement kinds Lady Victoria Hervey language linguistic signs masculine media texts medium men's world metonymically million mirror stage myth mythic meanings naturalised newspapers object organised particular Peter Sissons photograph picture pleasure police polysemy position reader reading realism reality recognise relation relationship represent role scopophilia semiotic analysis semiotic methods sense sexual share shots signified signs and codes soap opera social meanings society spectator stories structure subject-position syntagm tele television fiction television programmes theory tion users Victor Meldrew viewer visual signs VW Golf watching women women's magazines Wonderbra