MaComère, Volume 4Association of Caribbean Women Writers and Scholars, 2001 |
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Page 158
... protagonist of Good Morning , Midnight , the humour is emotionally violent because it is repressed . Rhys's protagonists are most often laughing despite - they are for the most part semi- demented , socially impotent rebels whose ...
... protagonist of Good Morning , Midnight , the humour is emotionally violent because it is repressed . Rhys's protagonists are most often laughing despite - they are for the most part semi- demented , socially impotent rebels whose ...
Page 173
... protagonist as she grows into adulthood , the coming- of - age and coming into ( self- ) knowledge of the young subject as she negotiates a position in relation to a society that has mediated — and often hindered her personal progress ...
... protagonist as she grows into adulthood , the coming- of - age and coming into ( self- ) knowledge of the young subject as she negotiates a position in relation to a society that has mediated — and often hindered her personal progress ...
Page 206
... protagonist , whose real name we never know , abandoned by his family and left alone upon the death of his grandmother , wanders the streets of Puerto Rico surviving on trash , drugs , and boleros until he is discovered by Martha Divine ...
... protagonist , whose real name we never know , abandoned by his family and left alone upon the death of his grandmother , wanders the streets of Puerto Rico surviving on trash , drugs , and boleros until he is discovered by Martha Divine ...
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