Authors and Their CenturiesRodopi, 1973 - 203 pages |
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Page vi
... Problems of Realism A. A. Greaves 143 Authors and Impressionist Reality Maria Kronegger 155 The Emergence of Jean Cocteau as Poet in the 1920's James P. McNab 167 French Novelists of Indochina in the Interwar Years David O'Connell 177 ...
... Problems of Realism A. A. Greaves 143 Authors and Impressionist Reality Maria Kronegger 155 The Emergence of Jean Cocteau as Poet in the 1920's James P. McNab 167 French Novelists of Indochina in the Interwar Years David O'Connell 177 ...
Page 1
... a certain success in manipulating his future . There are other authors , however , who express a broad con- cern with the problem of destiny . There is interference 1 Thematic Unity in the Jeu de la feuillée James E Blackburn.
... a certain success in manipulating his future . There are other authors , however , who express a broad con- cern with the problem of destiny . There is interference 1 Thematic Unity in the Jeu de la feuillée James E Blackburn.
Page 2
Phillip Crant. cern with the problem of destiny . There is interference by God in the affairs of men in certain fabliaux , such as the Vair palefroi . Not only the marriage but the enriching of Messire Guillaume can be justified by ...
Phillip Crant. cern with the problem of destiny . There is interference by God in the affairs of men in certain fabliaux , such as the Vair palefroi . Not only the marriage but the enriching of Messire Guillaume can be justified by ...
Page 5
... problems at once and who fears that Fortune may have had the foresight to close all possible escape routes . Forced to suspend his studies , the very activity that gave meaning to his life , Adam finds him- self married and thus bound ...
... problems at once and who fears that Fortune may have had the foresight to close all possible escape routes . Forced to suspend his studies , the very activity that gave meaning to his life , Adam finds him- self married and thus bound ...
Page 10
... problem with both approaches is that they ignore the fictional perspective of the work and treat the poet as a kind of tran- slator , rather than as a creator . It goes without saying that in dealing with the Testament our concern must ...
... problem with both approaches is that they ignore the fictional perspective of the work and treat the poet as a kind of tran- slator , rather than as a creator . It goes without saying that in dealing with the Testament our concern must ...
Table des matières
11 | |
Baroque Perspectives on Molière | 41 |
La Bruyères Changing Perspective on | 65 |
Summing | 87 |
PigaultLebrun | 117 |
Some French Novelists and the Problems of Realism | 143 |
The Emergence of Jean Cocteau as Poet in the 1920s | 167 |
World War II and the French Novel | 191 |
Autres éditions - Tout afficher
Expressions et termes fréquents
Agnès André Gide artistic attitude baroque becomes bien Bruyère c'est Caractères character choses classical Claude Simon Cocteau colonial coloniale concept Crébillon's criticism d'Alembert d'une death destiny Diderot Drieu école coloniale edition eighteenth century Encyclopédie essay être evolution example expression fact fait faut femme fiction Flaubert français France French Literature génie Goncourt Goncourt brothers goût hommes human impressionist impressionist literature j'ai jamais Jean Starobinski king l'Allemagne l'esprit l'homme l'on La Bruyère light literary littérature livre Louis XIV Maglore Mme de Staël Molière Molière's Montaigne Montaigne's moral n'est narrator nature novel novelist Paris period personnage peuples philosophes Pigault-Lebrun play poem poet poète poetic poetry political Proust qu'elle qu'il qu'on Raynal reader reality reflection rococo role roman Rousset sensations sense siècle social society Stendhal style Tartuffe temps Testament theme thought tion tout University veux Villon vision voir Voltaire writers yeux
Fréquemment cités
Page 155 - All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its high desire is to reach the secret spring of responsive emotions.
Page 156 - My task which I am trying to achieve is, by the power of the written word to make you hear, to make you feel — it is, before all, to make you see.
Page 36 - Je fay coustumierement entier ce que je fay et marche tout d'une piece ; je n'ay guere de mouvement qui se cache et desrobe à ma raison, et qui ne se conduise à peu près par le consentement de toutes mes parties, sans division, sans...
Page 10 - For technique is the means by which the writer's experience, which is his subject matter, compels him to attend to it; technique is the only means he has of discovering, exploring, developing his subject, of conveying its meaning, and, finally, of evaluating it.
Page 73 - ... l'aurore le trouve déjà en pleine campagne, d'où il ne se retire qu'avec le soleil: quels soins! quelle vigilance! quelle servitude! Quelle condition vous paraît la plus délicieuse et la plus libre, ou du berger ou des brebis? le troupeau est-il fait pour le berger, ou le berger pour le troupeau?
Page 33 - Mon livre est tousjours un. Sauf qu'à mesure qu'on se met à le renouveller afin que l'acheteur ne s'en aille les mains du tout vuides, je me donne loy d'y attacher (comme ce n'est qu'une marqueterie mal jointe), quelque emblème supernuméraire. Ce ne sont que surpoids, qui ne condamnent point la première forme, mais donnent quelque pris particulier à chacune des suivantes par une petite subtilité ambitieuse.
Page 73 - ... le berger, soigneux et attentif, est debout auprès de ses brebis; il ne les perd pas de vue, il les suit...
Page 29 - Le monde n'est qu'une branloire perenne. Toutes choses y branlent sans cesse: la terre, les rochers du Caucase, les pyramides d'AEgypte, et du branle public et du leur. La constance mesme n'est autre chose qu'un branle plus languissant.
Page 106 - Je sais seulement que la vérité est dans les choses et non pas dans mon esprit qui les juge, et que moins je mets du mien dans les jugements que j'en porte, plus je suis sûr d'approcher de la vérité : ainsi ma règle de me livrer au sentiment plus qu'à la raison est confirmée par la raison même.