 All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its high desire is to reach the secret spring of responsive emotions.  Authors and Their Centuries - Page 155de Phillip Crant - 1973 - 203 pagesAperçu limité - À propos de ce livre
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1924 - 506 pages
...collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music — which... | |
 | 1897 - 794 pages
...persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing 1 itself in written words must also make its appeal...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music—which... | |
 | 1921 - 444 pages
...Conrad's first Preface to The Nigger of the Narcissus: All art appeals primarily to the senses, and the artistic aim when expressing itself in written...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music — which... | |
 | Joseph Conrad - 1914 - 198 pages
...collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music— which... | |
 | Joseph Conrad - 1914 - 250 pages
...collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music — which... | |
 | Joseph Conrad - 1916 - 240 pages
...And their words are heard with reverence, for their concern is with weighty matters; with the cultiva aim when expressing itself in written words must also...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to thTmagic suggestiveness of, music — which... | |
 | Blanche Colton Williams - 1917 - 380 pages
...collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music — which... | |
 | John William Cunliffe - 1919 - 332 pages
...collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music — which... | |
 | Joseph Conrad - 1919 - 254 pages
...amenable to persuasion. ^AjLart,- -therefore, j appeals primarily tojtbe ,seas.es,_and the artistic j aim when expressing itself in written words must also...responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to j the magic suggestiveness of music —... | |
 | John William Cunliffe - 1919 - 332 pages
...collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written...through the senses, if its high desire is to reach the secretspring of responsive emotions. It must strenuously aspire to the plasticity of sculpture, to... | |
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