The Harmonicon, Volumes 1 à 11William Ayrton Gregg International, 1971 |
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Page 164
William Ayrton. ON THE INTERVALS UPON PERFECT INSTRUMENTS . To the EDITOR of the HARMONICON . THE HARMONICON . SIGNOR PAGANINI . SIR , THE CITY. SIR , June 6th , 1831 . I HAVE delayed for a few months noticing the com- munication from the ...
William Ayrton. ON THE INTERVALS UPON PERFECT INSTRUMENTS . To the EDITOR of the HARMONICON . THE HARMONICON . SIGNOR PAGANINI . SIR , THE CITY. SIR , June 6th , 1831 . I HAVE delayed for a few months noticing the com- munication from the ...
Page 193
William Ayrton. THE HARMONICON . REVIEW OF NEW MUSIC . REVIEW : PIANO - FORTE MUSIC . REVIEW : VOCAL. 193 1. ENGLISH MELODIES , the Poetry by the Hon . Mrs. NOR- TON , Miss REYNETT , Lord MORPETH , Sir W. SCOTT , J. MORRITT ... HARMONICON. ..
William Ayrton. THE HARMONICON . REVIEW OF NEW MUSIC . REVIEW : PIANO - FORTE MUSIC . REVIEW : VOCAL. 193 1. ENGLISH MELODIES , the Poetry by the Hon . Mrs. NOR- TON , Miss REYNETT , Lord MORPETH , Sir W. SCOTT , J. MORRITT ... HARMONICON. ..
Page 194
... HARMONICON , BY JOHN THOMSON , Esq . # P Legato sempre . Caro be · ne ques - to ad di For - se - l'ultimo sa - - rà , Ah ! l'af - fan - no del cor mi - - o Più con- for to Oh di - - Rall . A tem -- 0 non ha . Ca · A tem . Rall . pp EA ...
... HARMONICON , BY JOHN THOMSON , Esq . # P Legato sempre . Caro be · ne ques - to ad di For - se - l'ultimo sa - - rà , Ah ! l'af - fan - no del cor mi - - o Più con- for to Oh di - - Rall . A tem -- 0 non ha . Ca · A tem . Rall . pp EA ...
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Expressions et termes fréquents
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written