The Harmonicon, Volumes 1 à 11William Ayrton Gregg International, 1971 |
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Page 126
... characters were effectively cast ; Madlle . Sicherheit , in the character of the Queen of Night , has been rarely surpassed in brilliancy of execution and fidelity to the text — a rare title to praise ! DRESDEN . Rossini's Wilhelm Tell ...
... characters were effectively cast ; Madlle . Sicherheit , in the character of the Queen of Night , has been rarely surpassed in brilliancy of execution and fidelity to the text — a rare title to praise ! DRESDEN . Rossini's Wilhelm Tell ...
Page 214
... character , and a charm redolent of the natural gaiety of his heart . His harmony is by no means irreproachable , but it always produces effect ; his manner is less vigorous than that of Clementi , but more gay and insinuating . The ...
... character , and a charm redolent of the natural gaiety of his heart . His harmony is by no means irreproachable , but it always produces effect ; his manner is less vigorous than that of Clementi , but more gay and insinuating . The ...
Page 310
... character of Macheath , was got up last month , and so far as the former had any share in it , could not have been in better hands ; though such airs — and beautiful they are , in spite of the decree of fashion - should be given , not ...
... character of Macheath , was got up last month , and so far as the former had any share in it , could not have been in better hands ; though such airs — and beautiful they are , in spite of the decree of fashion - should be given , not ...
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Expressions et termes fréquents
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written