The Harmonicon, Volumes 1 à 11William Ayrton Gregg International, 1971 |
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Page 183
... considered as the father of piano - forte music ; for he long ago introduced all the beauty of • Italian melody into pieces calculated , by their ornamental ' varieties , to elicit the powers of the instrument , and dis- ' play the ...
... considered as the father of piano - forte music ; for he long ago introduced all the beauty of • Italian melody into pieces calculated , by their ornamental ' varieties , to elicit the powers of the instrument , and dis- ' play the ...
Page 217
... considered an undisputed right , the concert went on with- ' out interruption . ' We cannot say that we regret this latter circumstance , as it may put a stop to what we have always considered an unjust exercise of power . Ma- gistrates ...
... considered an undisputed right , the concert went on with- ' out interruption . ' We cannot say that we regret this latter circumstance , as it may put a stop to what we have always considered an unjust exercise of power . Ma- gistrates ...
Page 276
... considered . We must not omit to mention also , that each composition is introduced by apposite quotations from our living poets , a practice which , let us hope , will be followed , for it may encourage a taste for poetry , and furnish ...
... considered . We must not omit to mention also , that each composition is introduced by apposite quotations from our living poets , a practice which , let us hope , will be followed , for it may encourage a taste for poetry , and furnish ...
Autres éditions - Tout afficher
Expressions et termes fréquents
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written