The Harmonicon, Volumes 1 à 11William Ayrton Gregg International, 1971 |
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Page 39
... melody , to which they are so happily adapted that we have always looked upon this composition as one of the most striking evidences of Stephen Storace's genius and judgment ? 6 · Equally at a loss are we to discover why Harry Carey's ...
... melody , to which they are so happily adapted that we have always looked upon this composition as one of the most striking evidences of Stephen Storace's genius and judgment ? 6 · Equally at a loss are we to discover why Harry Carey's ...
Page 61
... melody , in preference to all other species of musical gratification - that they should prefer to listen to their Pac- chierottis , their Marchesis , and their Davids , to all the instru- mentalists in the world - and that their ...
... melody , in preference to all other species of musical gratification - that they should prefer to listen to their Pac- chierottis , their Marchesis , and their Davids , to all the instru- mentalists in the world - and that their ...
Page 113
... melody , however , quoad melody ; while thinking it not quite appropriate . The sixth base bar of the symphony ( page 17 ) is , most probably , an engraver's error ; the last four semiquavers should stand thus- The fifth , ' Oh ! meet ...
... melody , however , quoad melody ; while thinking it not quite appropriate . The sixth base bar of the symphony ( page 17 ) is , most probably , an engraver's error ; the last four semiquavers should stand thus- The fifth , ' Oh ! meet ...
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Expressions et termes fréquents
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written