The Harmonicon, Volumes 1 à 11William Ayrton Gregg International, 1971 |
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Page 60
... nature , so as to bring it within the laws of musical expression . So completely , indeed , has he followed the course which nature points out , that we may apply to him , with the most perfect justice , the high eulogium which Pope ...
... nature , so as to bring it within the laws of musical expression . So completely , indeed , has he followed the course which nature points out , that we may apply to him , with the most perfect justice , the high eulogium which Pope ...
Page 61
... nature with the richest vocal organization , should luxuriate in the delights of melody , in preference to all other species of musical gratification - that they should prefer to listen to their Pac- chierottis , their Marchesis , and ...
... nature with the richest vocal organization , should luxuriate in the delights of melody , in preference to all other species of musical gratification - that they should prefer to listen to their Pac- chierottis , their Marchesis , and ...
Page 210
... nature of the expression which the poetry or sentiment requires . The secret of the musician's labour is a grand one , -as unfathomable in its source as any mystery of nature ; we feel assured that there is no deception in it ; we ...
... nature of the expression which the poetry or sentiment requires . The secret of the musician's labour is a grand one , -as unfathomable in its source as any mystery of nature ; we feel assured that there is no deception in it ; we ...
Autres éditions - Tout afficher
Expressions et termes fréquents
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written