The Harmonicon, Volumes 1 à 11William Ayrton Gregg International, 1971 |
À l'intérieur du livre
Résultats 1-3 sur 43
Page 213
... remarkable . Afterwards came Haydn and Mozart to give a new impulse to instru- mental music , and particularly that of the piano - forte . The first was never distinguished by any extraordinary mecha- nical ability ; but his music had ...
... remarkable . Afterwards came Haydn and Mozart to give a new impulse to instru- mental music , and particularly that of the piano - forte . The first was never distinguished by any extraordinary mecha- nical ability ; but his music had ...
Page 261
... remarkable for the frequency of the final close , operated as a relief to the stiffness of the other . Both these were admirably per- formed . Messrs . Vaughan and Phillips charmed every one in Boyce's exquisite Duet Here shall soft ...
... remarkable for the frequency of the final close , operated as a relief to the stiffness of the other . Both these were admirably per- formed . Messrs . Vaughan and Phillips charmed every one in Boyce's exquisite Duet Here shall soft ...
Page 293
... remarkable flexibility , and more just intonation , may be traced to the influence of instru- mental composition and performance , and first in this department of music must be considered the symphony . The very name of Beethoven brings ...
... remarkable flexibility , and more just intonation , may be traced to the influence of instru- mental composition and performance , and first in this department of music must be considered the symphony . The very name of Beethoven brings ...
Autres éditions - Tout afficher
Expressions et termes fréquents
accompaniment admirable amateurs Ancient Concert andante Apollonicon appeared applause arranged audience BALLAD Bartleman beautiful Beethoven Braham Chapel character chorus church Clementi composed composition Cramer Cres Ditto Don Giovanni duet effect engaged English Erard excellent execution expression Fantasia favour favourite feeling Flute Fra Diavolo genius Glee grand HANDEL HARMONICON harmony harp Haydn hear heard honour Hummel instrument Italian kind King's Theatre Knyvett Lablache Lord Madame manner master melody ment merit Miss Stephens Mozart musician never opera oratorio orchestra organist original Overture Paganini passages Pasta performed piano-forte pieces played pleasing poetry praise present produced pupils QUADRILLES rendered Rondo Rossini Royal Rubini scena season Sebastian Erard selected Signor Paganini singer singing solo song soprano Spohr Stockhausen style success sung symphony talent taste tenor thee tion trio variations Vaughan violin violoncello vocal voice Waltz whole words written