The English Dream Vision: Anatomy of a FormOhio State University Press, 1988 - 244 pages |
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Page 21
... apocalypse and the somatic dream . It exists , we shall see , in the space between the liter- ary categories of apocalypse and narrative dream . As an analogy , consider Todorov's definition of the fantastic : In a world which is indeed ...
... apocalypse and the somatic dream . It exists , we shall see , in the space between the liter- ary categories of apocalypse and narrative dream . As an analogy , consider Todorov's definition of the fantastic : In a world which is indeed ...
Page 39
... Apocalypse The second of the two literary contexts of the late medieval dream vision is apocalyptic writing , the traditional literary form which begins ( in the Christian era ) with the Book of Revelation and ... APOCALYPSE The Apocalypse.
... Apocalypse The second of the two literary contexts of the late medieval dream vision is apocalyptic writing , the traditional literary form which begins ( in the Christian era ) with the Book of Revelation and ... APOCALYPSE The Apocalypse.
Page 40
... apocalypse , however , succeeds only in- sofar as its content is compelling and universal : the Apocalypse , for example , is comprehensible as a revelation merely by the applica- tion of Semitic and Christian iconography without any ...
... apocalypse , however , succeeds only in- sofar as its content is compelling and universal : the Apocalypse , for example , is comprehensible as a revelation merely by the applica- tion of Semitic and Christian iconography without any ...
Table des matières
Dream and Apocalypse | 21 |
Medieval Dream Authorities | 50 |
Origins | 82 |
Droits d'auteur | |
6 autres sections non affichées
Expressions et termes fréquents
allegory apocalypse Augustine authority becomes begins Black body Book cause century character Chaucer Cicero claim classical communication consider conventional course Critical discourse discussion distress divine dream report dream vision dreamer Duchess effect English eschatology especially evidence example existence experience expression fact figure finally frame Geffrey Geffrey's Guillaume Heaven Hous of Fame human images important interpretation introduced John Knight's knowledge language later least less lines literary literature lyric Macrobius meaning medieval Middle Ages mind narrative narrator nature never offers opening original Oxford passage Pearl person poem poet present Princeton Proem question quod readers reading reason reference represented revelation rhetorical Roman seems sense shows sleep Somnium Scipionis story Studies suggests tell things thought tion tradition true truth turn University Press visionary writers York þat