Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 73
... Brecht : A Re - Presentation , ( London and New York : Routledge , 1989 ) p . 19 . 10. John Willet argues that Brecht started to use the term ' Verfremdung ' after his visit to Moscow , where he certainly must have come in contact with ...
... Brecht : A Re - Presentation , ( London and New York : Routledge , 1989 ) p . 19 . 10. John Willet argues that Brecht started to use the term ' Verfremdung ' after his visit to Moscow , where he certainly must have come in contact with ...
Page 180
... Brecht's adaptation , a comparison that interrogates them both from a semiotic and feminist perspective . Bringing the lesser known earlier work to attention throws certain familiar notions about Brecht's play into a rather unsettling ...
... Brecht's adaptation , a comparison that interrogates them both from a semiotic and feminist perspective . Bringing the lesser known earlier work to attention throws certain familiar notions about Brecht's play into a rather unsettling ...
Page 187
... Brecht has suppressed from the original Courasche's tale the evidence that rape was committed by men of all classes , in war and peace alike . In fact , Brecht's play leads the reader / spectator to blame Catherine's second rape on ...
... Brecht has suppressed from the original Courasche's tale the evidence that rape was committed by men of all classes , in war and peace alike . In fact , Brecht's play leads the reader / spectator to blame Catherine's second rape on ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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