Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 17
... Press , 1975 ) , p.166 . 11. Erik H. Erikson , ' The dream specimen of psychoanalysis ' , Journal of the American ... Press , 1968 ) . 13. Ernst Kris , Psychoanalytic explorations in art ( New York : International Universities Press ...
... Press , 1975 ) , p.166 . 11. Erik H. Erikson , ' The dream specimen of psychoanalysis ' , Journal of the American ... Press , 1968 ) . 13. Ernst Kris , Psychoanalytic explorations in art ( New York : International Universities Press ...
Page 101
... Press 1988 ( 1977 ) ) ; Monroe C. Beardsley , ' Metaphor ' in Aesthetics ( New York : Harcourt , 1958 ) ; John R. Searle , ' Metaphor ' in A. Ortony , ibid . Friedrich Nietzsche , Human , all too Human in O. Levy ( ed . ) The Complete ...
... Press 1988 ( 1977 ) ) ; Monroe C. Beardsley , ' Metaphor ' in Aesthetics ( New York : Harcourt , 1958 ) ; John R. Searle , ' Metaphor ' in A. Ortony , ibid . Friedrich Nietzsche , Human , all too Human in O. Levy ( ed . ) The Complete ...
Page 111
... Press , 1980 ) . See Stephen Stich , From Folk Psychology to Cognitive Science ( Cambridge , Mass .: The MIT Press , 1983 ) . See Varda Dascal , ' A case for art in therapy ' . Assaph C2 , 1985. Similar considerations apply to work in ...
... Press , 1980 ) . See Stephen Stich , From Folk Psychology to Cognitive Science ( Cambridge , Mass .: The MIT Press , 1983 ) . See Varda Dascal , ' A case for art in therapy ' . Assaph C2 , 1985. Similar considerations apply to work in ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York