Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 70
... actually looses its value as such , and this is the point when it has to be judged by aesthetic criteria . After the demonstration with the chair Andrea objects that Galileo just turned the chair around , while if he would have tilted ...
... actually looses its value as such , and this is the point when it has to be judged by aesthetic criteria . After the demonstration with the chair Andrea objects that Galileo just turned the chair around , while if he would have tilted ...
Page 120
... actually the first character to make a sudden entry on the stage . In the beginning of the rehearsal process however , the different human inhabitants of the house first entered it one by one since the solution of having the ' tomte ...
... actually the first character to make a sudden entry on the stage . In the beginning of the rehearsal process however , the different human inhabitants of the house first entered it one by one since the solution of having the ' tomte ...
Page 162
... actually appear to be proliferating even as I write this , not only creating a new kind of play , but actually a new kind of performing arts system with its own , novel set of rules ' . Each presentation appears to be a spontaneous and ...
... actually appear to be proliferating even as I write this , not only creating a new kind of play , but actually a new kind of performing arts system with its own , novel set of rules ' . Each presentation appears to be a spontaneous and ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York