Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 61
Studies in the theatre. THE EROTIC , THE SCIENTIFIC AND THE AESTHETIC GAZES IN THE THEATRE Freddie Rokem Tel Aviv University The aim of this article is to make a basic distinction in aesthetic perception between two forms of looking or ...
Studies in the theatre. THE EROTIC , THE SCIENTIFIC AND THE AESTHETIC GAZES IN THE THEATRE Freddie Rokem Tel Aviv University The aim of this article is to make a basic distinction in aesthetic perception between two forms of looking or ...
Page 69
... aesthetic gaze . The aesthetic gaze makes it possible to dis - cover and to analyse not only the method of scientific demonstration Brecht presents , but the dramatic or even theatrical method he has used as well . The scientific gaze ...
... aesthetic gaze . The aesthetic gaze makes it possible to dis - cover and to analyse not only the method of scientific demonstration Brecht presents , but the dramatic or even theatrical method he has used as well . The scientific gaze ...
Page 70
... aesthetic pleasure , the pleasure based on the aesthetic gaze , which grows out of the erotic as well as scientific gazes . This aesthetic gaze both unifies and surpasses them because of its ability to make us aware of the inherent ...
... aesthetic pleasure , the pleasure based on the aesthetic gaze , which grows out of the erotic as well as scientific gazes . This aesthetic gaze both unifies and surpasses them because of its ability to make us aware of the inherent ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York