Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 79
... basic notions related to this primeval method : ' image ' and ' symbol ' . Freud suggests that in the process of dreaming the mind moves from its habitual way of thinking in words ( concepts ) into operating mental images : ' dreams ...
... basic notions related to this primeval method : ' image ' and ' symbol ' . Freud suggests that in the process of dreaming the mind moves from its habitual way of thinking in words ( concepts ) into operating mental images : ' dreams ...
Page 87
... basic units of thought , and iconic signs as basic units of communication , capable of being used in literal ( including symbolic ) and metaphoric capacities , without any distortion taking place . A good example is the nanny's dream ...
... basic units of thought , and iconic signs as basic units of communication , capable of being used in literal ( including symbolic ) and metaphoric capacities , without any distortion taking place . A good example is the nanny's dream ...
Page 130
... basic difference , however , with regard to hand movements : in the case of performative hand movements the hands are engaged in performing the act itself , whereas in the case of verbal acts the burden of the act is transferred to the ...
... basic difference , however , with regard to hand movements : in the case of performative hand movements the hands are engaged in performing the act itself , whereas in the case of verbal acts the burden of the act is transferred to the ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York