Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 21
... character ' painter , will make his mark . The term ' character ' , uttered once by Clitandre in Le Misanthrope , comes back a number of times in L'Impromptu In her domestic and pro domo speech , Mlle Béjart states that the portrait ...
... character ' painter , will make his mark . The term ' character ' , uttered once by Clitandre in Le Misanthrope , comes back a number of times in L'Impromptu In her domestic and pro domo speech , Mlle Béjart states that the portrait ...
Page 26
... character's gestures and from his earlier ' preoccupations ' , interpret the immobility as a gestural sign . If destiny's cruelty strikes the character with stupor , it is only to emphasize , through this suspension of the actor's ...
... character's gestures and from his earlier ' preoccupations ' , interpret the immobility as a gestural sign . If destiny's cruelty strikes the character with stupor , it is only to emphasize , through this suspension of the actor's ...
Page 27
... character ceaselessly trying to talk to him . The character's hyperbolic gesture , which Molière was blamed for , 24 thus finds its spatial equivalent , the ' anxiety ' to which the linking of scenes gives much emphasis . - Molière also ...
... character ceaselessly trying to talk to him . The character's hyperbolic gesture , which Molière was blamed for , 24 thus finds its spatial equivalent , the ' anxiety ' to which the linking of scenes gives much emphasis . - Molière also ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York