Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 29
... effect of intermittent lapses and regainings of attention to them , which induces a general disorienting effect . - What experimental theatre has done from Artaud onwards is to play with the formation of subjective spaces in order to ...
... effect of intermittent lapses and regainings of attention to them , which induces a general disorienting effect . - What experimental theatre has done from Artaud onwards is to play with the formation of subjective spaces in order to ...
Page 115
... effect ; ' ( XIII , 6 ) . Recurrently , the author of the Poetics stresses the distinction between the play and its performance in front of an audience . ' Whether tragedy has as yet perfected its proper types or not ; and whether it is ...
... effect ; ' ( XIII , 6 ) . Recurrently , the author of the Poetics stresses the distinction between the play and its performance in front of an audience . ' Whether tragedy has as yet perfected its proper types or not ; and whether it is ...
Page 63
... effect of representation , of metaphor , and of auto reflexivity . The artistic choices made by the choreographers lead them to emphasize one of these effects or the other by diluting the signifying production in the dynamics of the ...
... effect of representation , of metaphor , and of auto reflexivity . The artistic choices made by the choreographers lead them to emphasize one of these effects or the other by diluting the signifying production in the dynamics of the ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York