Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 90
... experience ; that is to say , we attach complete belief to the hallucinations . Not until we wake up does the critical comment arise that we have not experienced anything but have merely been thinking in a peculiar way or in other words ...
... experience ; that is to say , we attach complete belief to the hallucinations . Not until we wake up does the critical comment arise that we have not experienced anything but have merely been thinking in a peculiar way or in other words ...
Page 106
... experience , an important way to recover a metaphor's full significance is to ( re ) -enact the bodily experience they derive from . Through the actual performance of the physical movements of , for instance , grasping , throwing ...
... experience , an important way to recover a metaphor's full significance is to ( re ) -enact the bodily experience they derive from . Through the actual performance of the physical movements of , for instance , grasping , throwing ...
Page 155
... experience of the whole , and therefore upon the overall interpretation of this experience . This dynamic would be operative in any touring company , but it is particularly foregrounded in the tours of the Soleil because of their long ...
... experience of the whole , and therefore upon the overall interpretation of this experience . This dynamic would be operative in any touring company , but it is particularly foregrounded in the tours of the Soleil because of their long ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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Expressions et termes fréquents
action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York