Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 43
... forces similar to or identical with those presiding over dream production and dream - work . As a consequence , theatre ... force of this work is the above mentioned symbolizing projection . The dream is a protected space : the forces of ...
... forces similar to or identical with those presiding over dream production and dream - work . As a consequence , theatre ... force of this work is the above mentioned symbolizing projection . The dream is a protected space : the forces of ...
Page 141
... force that intercedes between the invisible forces and the wearer ; it defends the latter but if it is used in an improper way , it has the force to punish . The existence of the mask on a large scale in 141 Pre - theatre : rock ...
... force that intercedes between the invisible forces and the wearer ; it defends the latter but if it is used in an improper way , it has the force to punish . The existence of the mask on a large scale in 141 Pre - theatre : rock ...
Page 130
... force of the speech act can also be indicated by nonverbal signs including hand gestures . Since the same embedded sentence ( p ) can be part of different speech acts , its force must be indicated , either verbally or nonverbally ...
... force of the speech act can also be indicated by nonverbal signs including hand gestures . Since the same embedded sentence ( p ) can be part of different speech acts , its force must be indicated , either verbally or nonverbally ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York