Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
À l'intérieur du livre
Résultats 1-3 sur 53
Page 88
... function of metaphor becomes evident when we compare two metaphors that refer to the same object : e.g. the difference between describing a woman as a table ' laid for a meal ' ( 472 ) or as a room ( 471 ) . Unfortunately , the tendency ...
... function of metaphor becomes evident when we compare two metaphors that refer to the same object : e.g. the difference between describing a woman as a table ' laid for a meal ' ( 472 ) or as a room ( 471 ) . Unfortunately , the tendency ...
Page 73
... function of gesture would square with its referential function . Gesture , in such a case , is accompanying and illustrating words , situation or character . In general , its meaning is hence not difficult to catch . The whole ...
... function of gesture would square with its referential function . Gesture , in such a case , is accompanying and illustrating words , situation or character . In general , its meaning is hence not difficult to catch . The whole ...
Page 127
... function or meaning of the object of imitation . Even a phenomenon which inherently is not a sign in a communication ... function of the basic layer.2 We assume that hand gestures fulfil specific functions in human intercourse , as ...
... function or meaning of the object of imitation . Even a phenomenon which inherently is not a sign in a communication ... function of the basic layer.2 We assume that hand gestures fulfil specific functions in human intercourse , as ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
10 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York