Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 42
... important part of communication , and the one which is the most specific for theatre , proceeds , between the actor and the spectator , on the level of the unconscious . This , of course , does not exclude the possibility of perfectly ...
... important part of communication , and the one which is the most specific for theatre , proceeds , between the actor and the spectator , on the level of the unconscious . This , of course , does not exclude the possibility of perfectly ...
Page 44
... importance of the process by which the dream is formed ( the dream - work ) in understanding the meaning of the dream ... important than what it produces . In theatre , we mean by production process not only the actual mise en scene with ...
... importance of the process by which the dream is formed ( the dream - work ) in understanding the meaning of the dream ... important than what it produces . In theatre , we mean by production process not only the actual mise en scene with ...
Page 141
... important social function , closely linked to ancient traditions and , in a broader sense , to performance . Its importance is attested to by the fact that it was forbidden to children . Only those adults who had passed the initiation ...
... important social function , closely linked to ancient traditions and , in a broader sense , to performance . Its importance is attested to by the fact that it was forbidden to children . Only those adults who had passed the initiation ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York