Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 9
... interpretation . - Of course , the psychoanalytic critic is not exempt . If we return to Freud's interpretation of Oedipus and of Hamlet , we can with our present hindsight - explore its subjective , transferential determinants . We may ...
... interpretation . - Of course , the psychoanalytic critic is not exempt . If we return to Freud's interpretation of Oedipus and of Hamlet , we can with our present hindsight - explore its subjective , transferential determinants . We may ...
Page 14
... interpretation of those actions , painfully lays bare their range of meanings and implications . The process of continuous interpretation includes continuous partial correct interpretation and misinterpretation . The inexorable and ...
... interpretation of those actions , painfully lays bare their range of meanings and implications . The process of continuous interpretation includes continuous partial correct interpretation and misinterpretation . The inexorable and ...
Page 87
... interpretation of the baby's crying during her sleep . Freud could not have envisaged such a development and , indeed , for him ' metaphor ' and ' symbol ' refer only to verbal representation , which in his view exists prior to the ...
... interpretation of the baby's crying during her sleep . Freud could not have envisaged such a development and , indeed , for him ' metaphor ' and ' symbol ' refer only to verbal representation , which in his view exists prior to the ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York