Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 101
... kind of overall that allows him to cavort about , he wears a sombre , sinister and unembellished costume comparable to the prozodiejda of Meyerhold's actors , which neutralizes characterizations and enhances the acting . ( 3 ) De Funès ...
... kind of overall that allows him to cavort about , he wears a sombre , sinister and unembellished costume comparable to the prozodiejda of Meyerhold's actors , which neutralizes characterizations and enhances the acting . ( 3 ) De Funès ...
Page 130
... kind of interaction . ' " Both speech and pure bodily acts are of the same kind : they indicate actions and , therefore , they can be exchanged on the same level ; e.g. , a verbal threat can be reacted to by bodily retreat . There is a ...
... kind of interaction . ' " Both speech and pure bodily acts are of the same kind : they indicate actions and , therefore , they can be exchanged on the same level ; e.g. , a verbal threat can be reacted to by bodily retreat . There is a ...
Page 162
... kind of performance style which is increasingly taking centre stage in South African theatre . Woza Albert , devised by the performers ( Mbongeni Ngema and Percy Mtwa ) in conjunction with innovative director Barney Simon in the early ...
... kind of performance style which is increasingly taking centre stage in South African theatre . Woza Albert , devised by the performers ( Mbongeni Ngema and Percy Mtwa ) in conjunction with innovative director Barney Simon in the early ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York