Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
À l'intérieur du livre
Résultats 1-3 sur 56
Page 29
... language . The phonemic distortions of language are a powerful and original means of undermining the authority system . Müller subverts the very processes by which language comes to mean . The theatre of Wilson and Müller can thereby ...
... language . The phonemic distortions of language are a powerful and original means of undermining the authority system . Müller subverts the very processes by which language comes to mean . The theatre of Wilson and Müller can thereby ...
Page 39
... language ( i.e. verbally , in the mutual grammatically structured language of himself and the audience ) . The text itself might be determined by tradition , written by an author ( the actor himself or somebody else ) , improvised ...
... language ( i.e. verbally , in the mutual grammatically structured language of himself and the audience ) . The text itself might be determined by tradition , written by an author ( the actor himself or somebody else ) , improvised ...
Page 52
... language . ' A language ' ( ' une langue ' ) : Lacan implies the existence of several languages , with only one of them being the verbal idiom with its linguistic structure . We believe that theatre ( the image which appears on stage ...
... language . ' A language ' ( ' une langue ' ) : Lacan implies the existence of several languages , with only one of them being the verbal idiom with its linguistic structure . We believe that theatre ( the image which appears on stage ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
10 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York