Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
À l'intérieur du livre
Résultats 1-3 sur 37
Page 78
... methods of expression which were then available to him . ' ( 699 ) It would be nonsensical to assume that for Freud this ' method of expression ' available to children essentially aims at distorting their thoughts . Furthermore , Freud ...
... methods of expression which were then available to him . ' ( 699 ) It would be nonsensical to assume that for Freud this ' method of expression ' available to children essentially aims at distorting their thoughts . Furthermore , Freud ...
Page 82
... method ( 469 ) and sees both methods as complementing each other ( 477 ) : ' We are thus obliged , in dealing with those elements of the dream content which must be recognized as symbolic , to adopt a combined technique , which on the ...
... method ( 469 ) and sees both methods as complementing each other ( 477 ) : ' We are thus obliged , in dealing with those elements of the dream content which must be recognized as symbolic , to adopt a combined technique , which on the ...
Page 11
... Method after the System of F. Del Sarte for the Expression of Feelings ] , published in Paris in 1895. Vaguely inspired by the method of the famous singer and actor , François Del Sarte , who actually left no written work , his disciple ...
... Method after the System of F. Del Sarte for the Expression of Feelings ] , published in Paris in 1895. Vaguely inspired by the method of the famous singer and actor , François Del Sarte , who actually left no written work , his disciple ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
10 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York