Assaph: Studies in the theatre, Numéros 7 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1991 |
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Page 90
... reality that the dreamer attaches to his dream . Paradoxically , Freud follows this line of argument by means of an analogy to the theatre : ' Dreams construct a situation out of these images ; they represent an event which is actually ...
... reality that the dreamer attaches to his dream . Paradoxically , Freud follows this line of argument by means of an analogy to the theatre : ' Dreams construct a situation out of these images ; they represent an event which is actually ...
Page 180
... reality ; the Arab talks about his son who is serving three years in jail for disseminating inflammatory leaflets , and in one of the songs ' My Jerusalem ' a young Arab sings about ' the cry of a baby , and a grenade at midnight / an ...
... reality ; the Arab talks about his son who is serving three years in jail for disseminating inflammatory leaflets , and in one of the songs ' My Jerusalem ' a young Arab sings about ' the cry of a baby , and a grenade at midnight / an ...
Page 71
... reality ' . Gesture is what could be called an already fixed reality . Fixed first in matter . Gesture is concrete , it imposes itself as an opaque material . It is this materiality the spectator first stumbles over and it is by it ...
... reality ' . Gesture is what could be called an already fixed reality . Fixed first in matter . Gesture is concrete , it imposes itself as an opaque material . It is this materiality the spectator first stumbles over and it is by it ...
Table des matières
Theatre and Psychoanalysis | 1 |
The Post | 21 |
GEORGES BAAL 35 Toward a Freudian and Lacanian | 35 |
Droits d'auteur | |
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action actor actually aesthetic analysis appear Arab aspects associations attempt audience Aviv basic become beginning body Brecht called century character communication created critical cultural dance described directed drama dream effect elements example experience expression fact figures final force Freud function gesture give hand hand gestures Hebrew human important indication interpretation Jews kind King kneeling land language later Lear Master meaning metaphor method Molière move movement natural object original paintings Paris particularly performance physical play possible present Press problem production psychoanalysis question reality referent relation represent representation ritual says scene sense signs similar situation social space spectator speech stage structure symbolic Tel Aviv University theatre theatrical theory thinking thought tradition unconscious understanding University York